Just after 3 pm on an unseasonably hot spring day, an elegant, black sports car pulls up in front of a posh, downtown hotel in San Francisco, and out steps Sharon Stone. Sporting a stylish red scarf, she takes off her sunglasses and walks towards a virile-looking man in a dark suit and cowboy boots. This is Phil Bronstein, her husband of two years and executive editor of the San Francisco Examiner.
Stone and Bronstein then sit down for their first interview together since their wedding on Valentine’s Day, 1998. At the time, gossip columnists were quick to give their marriage no more than a year. They were wrong, but the couple acknowledge the difficulties of a marriage involving two of the most fickle of all professions.
“You work really, really hard at it, because that’s what’s required for a successful relationship,” Stone says, once the waiters in the hotel’s restaurant finally retire, having assured her of the pleasure of her presence…
Tim Robbins seems a man of contrasts at first, but what appear to be conflicting sides of his personality actually complement each other in a character of the rarest type. He has the ability to engage in the most profound conversation while provoking a genuine and contaminating laughter. On screen, he has been naively stupid (in “Bull Durham” and “The Hudsucker Proxy”) as well as shrewdly slick (in “The Player” and “The Shawshank Redemption”). And, of course, his dimpled babyish face tops a nearly 6’5” body.
So no wonder the actor-writer-director-producer Robbins is crusading against labels and stereotypes, the most common of which in his case have been “political” and “liberal”. He says he doesn’t “buy the liberal thing”, but appreciates progressivism and libertarianism. He also notes that he has a hard time distinguishing between Democrats and Republicans.
“The great illusion in America is that we have a choice, because if we don’t have that illusion, we don’t have a democracy,” he says…
David Hyde Pierce is already thinking post-”Frasier”, even though the popular TV show, in which he plays the title character’s snobbish psychiatrist brother Niles, has just been renewed for another three seasons. After long and at times painful negotiations, Paramount, the studio that produces “Frasier”, reached an agreement with NBC earlier this month to keep the hit series on the network.
But the new contract is no reason for Pierce to stop exploring other artistic opportunities — in fact, since he had a “blast“ in a two-week run of the musical “The Boys from Syracuse” in LA a year and a half ago, he has decided to look seriously into musical theatre as his next potential career move.
“It is something I’ve never really done,” he says, “and I got so excited about it. It’s a whole new country. I’ve done movies and I keep thinking that’s what I should be doing, but I don’t enjoy movies. I like having an audience. So I’ve been taking regular voice lessons. I’m about to start rehearsals for a play in which I have a lot of dancing, so I’ll also have to take dancing lessons”…










