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Diplomatic reorientation

Thomas R. Pickering was a fresh college graduate in 1953 when he braved the notoriously lengthy entrance process at the State Department, prolonged even further by an ongoing investigation of suspected communists in the agency’s ranks.

Although he was offered a job earlier than he expected, Mr. Pickering by then had enrolled in the graduate program of Tufts University’s Fletcher School of Law and Diplomacy in Medford, Mass. He later left for Australia on a Fulbright scholarship to the University of Melbourne, which was followed by three years in the Navy.

So it was 1959 when the 28-year-old finally became a Foreign Service officer — or, to use the better-known term, a diplomat…

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Embassy bombings spur security boost

It was lunchtime on April 18, 1983, and the cafeteria of the American Embassy in Beirut was buzzing with customers. At about 1 p.m., a powerful blast tore apart the front of the seven-story building. The bomb, hidden in a van reportedly stolen from the embassy 10 months earlier, killed 63 employees, including 17 Americans.

It was the first time that a U.S. embassy had become a terrorist target, and it forever changed the way the Diplomatic Security Service (DSS), the State Department’s law-enforcement division, operates around the world.

“The bombings of the embassy in West Beirut in 1983 and of the embassy annex in East Beirut in 1984 were a major catalyst for creating the Bureau of Diplomatic Security,” which oversees the DSS, said John C. Murphy, special agent in charge of Secretary of State Colin L. Powell’s protective detail and a DSS agent for 29 years…

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Powell: ‘I am on the president’s agenda’

Colin Powell listened with growing but controlled anger. He saw the question coming. After all, there is no charge against a secretary of state more serious than the one leveled by some members of his own Republican Party — and even in the administration he serves.

They accuse him of leading a government agency that not only opposes President Bush’s foreign policy, but also tries to undermine it. His response came out in a single well-known barnyard expletive. Then, to emphasize the point, he added: “That’s quotable.”

“I can show you people in Washington who claim to be pushing the president’s agenda, [but] who are not,” Mr. Powell continued, sitting in his small inner office on the seventh floor of the State Department…

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Screen, please, doctor

Noah Wyle has never heard of the “Carter scale”, a phrase coined by University of Edinburgh medical students addicted to “ER” — the highly rated US TV drama that has made Wyle a star — as a gauge of male attractiveness. He is certainly aware of the international fame that the role of the sweet and earnest Dr John Carter has brought him, and admits that it has changed his life on every level. But he comes across as the most unlikely Hollywood luminary, still striving to reconcile his shyness and the rewards of celebrity.

We’ve been talking for 15 minutes, Wyle having driven for two hours to Los Angeles from his 45-acre ranch in the Santa Ynez Valley, near Santa Barbara, California, which he bought from actress Bo Derek last year for a reported $2.5m (£1.7m). Simply but elegantly dressed, in a stylish brown jacket and blue jeans, the 6ft 2in Wyle clearly anticipates my comment on his beard, which made a brief but controversial appearance on “ER” a couple of years ago…

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Action man gives peace a chance

John Woo is concerned that he will go down in cinema history only as an action film director, albeit one of the masters. So the man who made his name in Hong Kong with the distinctive balletic style of his blood-soaked movies, and then conquered Hollywood with “Face/Off” and “Mission: Impossible 2”, has decided to move away from what he does best and try his hand at drama and — maybe even a musical.

“I want to do a film without violence,” he says in his office at the MGM complex in Santa Monica, California, “and a musical is one of my biggest dreams. There is so much confusion in the world today, so much hatred and lack of understanding, and I’d love to make noble and spiritual films”…

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A life seriously damaged by smoking

Jeffrey Wigand still can’t believe he is the main character in a Hollywood blockbuster. “Are you kidding me? I didn’t think I’d survive.”

It has been more than five years since the man now known as the first tobacco industry whistleblower became the most senior executive to break ranks. But neither “The Insider”, the Oscar-nominated film starring Al Pacino, nor the publicity that surrounded Wigand’s crusade against big tobacco companies has bestowed on him even the slightest touch of celebrity.

I expected to meet a bitter and emotionally withered man who, after an infamous 1995 interview with CBS’s Mike Wallace, would carefully measure every word he uttered to a reporter. But I couldn’t have been more wrong…

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‘It’s not how old you are’

Helen Thomas hoped in vain that her 80th birthday on August 4 — a date she shares with the British Queen Mother and Yasser Arafat, the Palestinian leader — would pass unnoticed. “I don’t want anyone to know,” she said. “I don’t see why people have to be stamped by their age — that’s prejudice.”

But nothing made her angrier than the “congratulations” she received on her “retirement”, when she announced in May that she was leaving her front-row seat in the White House press room, where she had reported on eight presidents for United Press International (UPI) over four decades. She was simply changing jobs, and is now a columnist for Hearst Newspapers, the US chain that owns dozens of publications, including the Houston Chronicle and the San Francisco Examiner…

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Stories about Sharon Stone

Just after 3 pm on an unseasonably hot spring day, an elegant, black sports car pulls up in front of a posh, downtown hotel in San Francisco, and out steps Sharon Stone. Sporting a stylish red scarf, she takes off her sunglasses and walks towards a virile-looking man in a dark suit and cowboy boots. This is Phil Bronstein, her husband of two years and executive editor of the San Francisco Examiner.

Stone and Bronstein then sit down for their first interview together since their wedding on Valentine’s Day, 1998. At the time, gossip columnists were quick to give their marriage no more than a year. They were wrong, but the couple acknowledge the difficulties of a marriage involving two of the most fickle of all professions.

“You work really, really hard at it, because that’s what’s required for a successful relationship,” Stone says, once the waiters in the hotel’s restaurant finally retire, having assured her of the pleasure of her presence…

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Specs, fame and satisfaction

James Spader calmly challenges the “mystery man” image he’s had among film audiences since playing a sexually troubled youth in “Sex, Lies and Videotape” more than 13 years ago, and he does it with the simplest, facts-of-life arguments.

His choice of roles, he explains, has never been determined by a need to “manage” his career or build himself up as a particular “type”, but rather by how a certain project fits into the rest of his life — sometimes it’s “my being out of money”, sometimes it’s “my children being out of school”. So he would “take whatever I can find at that time” and “try to make the best of it”.

“Every few years I do a film I’m really excited about, and the rest of the time I’m finding a way to make a living, still doing something that interests me,” he says in a characteristically soft manner. “I’m able to do that, and it works out great for me. I like making films, but I’m not going to connect my entire life to it”…

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Player power

Tim Robbins seems a man of contrasts at first, but what appear to be conflicting sides of his personality actually complement each other in a character of the rarest type. He has the ability to engage in the most profound conversation while provoking a genuine and contaminating laughter. On screen, he has been naively stupid (in “Bull Durham” and “The Hudsucker Proxy”) as well as shrewdly slick (in “The Player” and “The Shawshank Redemption”). And, of course, his dimpled babyish face tops a nearly 6’5” body.

So no wonder the actor-writer-director-producer Robbins is crusading against labels and stereotypes, the most common of which in his case have been “political” and “liberal”. He says he doesn’t “buy the liberal thing”, but appreciates progressivism and libertarianism. He also notes that he has a hard time distinguishing between Democrats and Republicans.

“The great illusion in America is that we have a choice, because if we don’t have that illusion, we don’t have a democracy,” he says…

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