Kansas City Archives | Nicholas Kralev

United steps up fake ‘direct’ flights

United Airlines, already one of the biggest abusers of fake “direct” flights before its merger with Continental, has increased further the number of those flights in its schedule. Its oddest decision was to introduce fictitious “direct” flights, which consist of two or more segments with nothing in common but their number, between its hubs.

If you are shopping for a ticket from Chicago (ORD) to Denver (DEN), be very careful which flight you book. In addition to 10 daily nonstops with flying time of about 2 hours, United currently has three “direct” flights on that route, but they make a “stop” in Minneapolis (MSP), Des Moines, Iowa, (DSM) and Kansas City, Mo., (MCI), respectively…

Uncle Walter

Delayed by a raging New York storm, Walter Cronkite deftly opens the door of his spacious office at the CBS Black Rock television headquarters. “Good morning!” he cheerfully greets his small staff, then adds, matter-of-factly, “But I enjoy saying ‘Good evening’ much more.”

For 19 years, this statesman of the airwaves brought the world into the living rooms of millions of Americans. And, though he stepped down from the “CBS Evening News” in 1981, he remains “the most trusted man” in the US, one whom many fellow journalists call the “original anchorman”.

At 83, the silver-haired legend has allowed little of his imposing figure to succumb to ageing, and his gravelly voice still rings with authority. His schedule is as busy as ever, full of speaking engagements, interviews, high-profile events and journeys across the US and around the world. Television still occupies much of his time — albeit as a viewer — but he’s not impressed with what he sees today on America’s evening news…

Wherever I lay my hat

Robert Altman spent three decades after his first hit film, the 1970 war satire “M*A*S*H”, telling the US what was wrong with it. Whether it was the unlikely mixture of country music and politics in “Nashville”, the scathing view of Hollywood in “The Player” or the suburban epic “Short Cuts”, American audiences reluctantly recognised the merits of Altman’s films but rarely gave him wholehearted approval at the box office.

Europeans loved the maverick director’s take on just about all things American, partly because his shrewd observations reflected their own perceptions of the superpower’s arrogance and greed. In fact, Altman’s name today stands next to Bergman’s, Fellini’s and Truffaut’s much more naturally than beside Coppola’s, Scorsese’s or Spielberg’s…