Vienna Archives | Nicholas Kralev

Western carriers return to Iraq

Iraq may not be among Western travelers’ most desired destinations quite yet, but some of the world’s leading airlines have decided that flying to the war-ravaged country can be profitable, so they are returning there after a 20-year absence.

Although two of Europe’s major carriers — Austrian Airlines and Turkish Airlines — have been serving Iraq since 2008, their re-entry in that market was viewed as only moderately significant at the time, and none of their peers followed suit. Austrian chose Erbil, the capital of Kurdish northern Iraq, which was never nearly as violent as the rest of the country…

Award blocks still irk United fliers

There is rarely a single specific issue a reporter writes about that provokes huge interest from its first mention, and then continues to do so for months on end. For loyal customers of United Airlines, however, the carrier’s blocking of “award” seats made available by its partners in the global Star Alliance is not just any issue.

That was evident as soon as this column exposed the previously secret practice in September, as hundreds of members of United’s frequent-flier program, Mileage Plus, complained either to me or the airline. Although I haven’t dedicated a column to the issue since early December, I continue to receive e-mail messages about it. I also try to answer some questions in a thread on FlyerTalk…

Natural-born misfit

Milos Forman has never rebelled against his films being labelled “quintessentially American” — he is just not a revolutionary type, he says — but the Czech-born director passionately dismisses such categorisation every time he is asked about it.

“For me, ‘One Flew Over the Cuckoo’s Nest’ is a Czech film, because when you are young in a communist country, all you dream about is breaking free,” he says of his 1975 film set in a psychiatric hospital, which earned him his first Oscar and established him as one of the world’s most prominent film-makers.

“Hair” (1979), another Forman movie now considered a classic, “was about young people rising up against the status quo — something we all dreamt about under communism but didn’t dare to do,” says the 70-year-old director…